Workshops

              General Possibilities: The workshops can be filmed on video, but not distributed for commercial purpose; graduated students may take part in casting for a production. The production of each workshop can be released in 20 rehearsals. Stage design, music and directing - Prof. Alexander Iliev, Ph.D. Graduated participants become University Certificate.
              Individual and Group Workshops  (General Information):
              All workshops can be practice individually, with the family, in small or bigger groups, in large halls with more participants. Duration of a daily individual or family hour is 45 min. For small and big groups we need 90 and 120 min. All workshops have possibilities to have different length of time: 1, 2, 3 or 4 weeks - 3 times weekly. Prof. Alexander Iliev, Ph.D. leads all workshops and therapeutic regulation personally. His assistants are also competent University professors.

<


VASSIL..INDZHEV..SPRING..LABORATORY..2009
& THEATREDREAMS

tel: +359 887 102673;  +359 886 742 402
e-mail: theatredreams@abv.bg


AMERICAN SEMESTER
IN BULGARIA

 

              Theatrical Workshops:о

Greek-Roman "Chorevtiki" Technique

East Traditional Theatre

Middle Ages and Carnival's Technique

Commedia Dell'Arte

Theatre of Classicism

Theatre of Romanticism

Clown Acting

Silent Movies Grotesque

Improvisation

Mask Technique

Pantomime

Body Expression

Vocal Technique

Fencing & Fighting Techniques

Theatrical Martial Arts

Acrobatics

Puppet and Shadow's Theatre

Actors Acting

Stage Directing

Theatre of the Health

Workshop-poster of THEATREDREAMS in Germany

о

              Health Workshops + Universal Development of the Man:
Yoga and Meditation Qi Gong and Tai Chi Chuan Kung Fu and Voo Classical Massages Kinesitherapy

о

Theatrical Workshops:

     1. Greek-Roman "Chorevtiki" Technique (up) ;   (outset)
Curriculum: Subject: Greek mime-dance technique, roman mime-dances, and basic group movement
Horarium:
15 lessons (duration 2 hours each)
Space:
Minimum 3 sq. m per participant; height - minimum 3 m

Greek Mime-Dance Technique
* Body exercise in ancient rhythm
* Dionysios mysteries and the oldest chorevtiki principles
* Techniques of kordax, emeliya, pyricha and skinya
* Theatrical genres - hypothesis, mimos, pantomimos, mimiyambos, satyrikon
* Ritual genres - fliaki, epitalamia, navmachia
* Basic of mask's techniques
Roman Mime-Dances
* Oldest forms in Rome - fescenia, cantica, atellana
* Theatrical genres - mim, pantomim, paliata
* Street genres - processia, pompa, trionfo
* Martial games genres - circus, gladiators
* Dead masks and ritual ceremonies around the tombs
* Classical roman mask techniques
Basic Group Movements
* Chorevtiki in Aegean mysteries - Thrace, Greece, Kritos
* Strophes and antistrophes
* Comedy and tragedy chorus techniques
* Geometrical forms and rhythmical principals in chorus
* Koryphaios and chorus - a group improvisation
* Masks techniques and group elements
The graduated students may take part in casting for production in Chorevtiki technique's style based on
Peter Shaffer's "Eqvus".

о

     2. East Traditional Theatre  (up) ;  (outset)

Curriculum: Subject: Beijing opera, Theatre Tuong, Theatre Noo
Horarium:
15 lessons (duration 2 hours each)
Space:
Minimum 3 sq. m per participant; height - minimum 3 m

Beijing Opera - China
* Lower limbs movement principles
* Upper limbs movement principles
* Roles - shen, jing, chou, dan
* Dealing with stage property and weapons
* Theatrical acrobatics and stage battle
* Basic subjects and classical graceful movement
Theatre Tuong - Vietnam
* Lower limbs movement principles
* Upper limbs movement principles
* Roles - bac and nam
* Dealing with stage property and weapons
* Acting with mask
* Basic subjects and classical graceful movement
Theatre Noo - Japan
* Principles of body movement
* Statuary and internal energy stopper
* Roles - shite, tzure, vaki, kjogen
* Dealing with stage property and weapons
* Acting with mask
* Basic subjects and classical graceful movement
The graduated students may take part in casting for production in East Traditional Theatre's style based on
Aristophane's comedy "The birds".

о

     3. Theatre of the Middle Ages and Carnival's Technique (up) ;   (outset)

Curriculum: Subject: Street actors, Theatrical forms of the Middle Ages, Carnival's technique
Horarium:
15 lessons (duration 2 hours each)
Space:
Minimum 2 sq. m per participant; height - minimum 3 m

Street Actors
* Histrion, joculator and skomoroh's techniques
* Ballatro, banchier and saltator's acrobatic techniques
* Jogleor, jocolier and jugllar's acting principles
* Trouver, vagant and troubadour's trick structure
* Spielman, minesinger and musicus' music eccentricity
* Body principles in buffon, mimos and fool acting
* Scenario schemes and street theatre's subjects
Theatrical Forms of the Middle Ages - theory and technique
* Semi-liturgical and liturgical drama
* Miracle and mystery
* Auto sacramental, loa, intermedio
* Moralitee and commedia erudita
* Chantefable-mime
* French farce
* Poetic, dance, comedian competitions
Carnival's new Technique
* Basic mask technique - mask and contra-mask
* Carnival development
* Square acting
* Street acting, project and stages
* Carnival chain dancing
* Choosing carnival fool and bishop
* Ecstatic final and carnival break-up
The graduated students may take part in casting for production in the theatre of the Middle Ages style based on
Johann Wolfgang Goethe's tragedy "Faust".

о

     4. Commedia Dell'Arte (up) ;   (outset)

Curriculum: Subject: Scenario creating, Technique of masks, Performance's elements
Horarium:
15 lessons (duration 2 hours each)
Space:
Minimum 2 sq. m per participant; height - minimum 3 m

Scenario Creating
* Building the performance's groundwork
* Principles of episode structure's building
* Building the scenario as contrasting assembly of acts
* Comic tricks creating - lazzi
* Attractive and divertimento scenes
* Basic subjects and classic scenarios
Technique of Masks
* Movement principles of Magnifico - Zanni
* Movement principles of Servi delicati
* Movement principles of Servi bruti
* Movement principles of Servi furiosi
* Technique of the counterpoint Amorosi - Vecchi
* Technique of Personaggi particolari
Performance's Technique
* Epic technique of Capocomico
* Musical divertimento and musical ex-centricity
* Kinds of lazzi and their assembly in the act
* Dealing with stage property and weapons; comical battles
* Acting with mask on the face - mask and contramask
* Artistic entirety of the performance
The graduated students may take part in casting for production in Commedia Dell' Arte style based on
Calderon de la Barca's tragedy "Life is a Dream".

о

     5. Theatre of Classicism (up) ;   (outset)

Curriculum: Subject: Sound extracting technique, Gesticulation and statuary, Ensemble technique
Horarium:
15 lessons (duration 2 hours each)
Space:
Minimum 2 sq. m per participant; height - minimum 3 m

Sound Extracting Technique
* Basic face resonators
* Sound extracting with corporal resonator - thorax and abdomen
* Face and body's back resonators
* Face and body's side resonators
* Recitation technique, text singing, guest pause
* Body-sound counterpoint
* Monologue and dialogue construction
Gesticulation and Statuary
* Hands expressiveness
* Body expressiveness
* Pose - movement - gesture
* Pose vindication, plastic sentence's structure
* Mimism and mimetism
* Actors special line and characteristic
* Classicism's gesticulation stile
Ensemble Technique
* Technique of choreographed compositions
* Spatial techniques and perspective
* Principles of motion's unison, synchrony, canon and counterpoint
* Chorevtique's principles based on antiquity, editions
* Revolution in Jean-George Noverre's ensemble, imitation
* Fencing technique, composition of battles
* Ensemble's scenes in comedy from Moliere to Beaumarchais
The graduated students may take part in casting for production in Theatre of Classicism's style based on
Seneca's trilogy "Fortuna desperata".

о

     6. Theatre of Romanticism (up) ;   (outset)

Curriculum: Subject: Street's theatrical technique, Deburau's Theatre, Passion and expression
Horarium:
15 lessons (duration 2 hours each)
Space:
Minimum 2 sq. m per participant; height - minimum 3 m

Street's Theatrical Companies' Technique
* Basic principles of the prologue and advertising attractions
* Fun fair genres and tricks
* Assembly of attractions, principles of contact with spectators
* Mime's relations, interludes and preliminary acting
* Technique of carnival's development, masquerade and street dance
* Acrobatic genre and his kinds, tricks and schemes
* Dance finals and street performances' finals
Jean Gaspard Deburau's Theatre
* Technique of high center of gravity, acting with chairs
* Body expressiveness
* Gesture's continuity and easy cadence
* Basic subjects in Deburau's Theatre, emblematic situations
* Mimic expressiveness and principles of gesture's air-form
* Performance's metaphor, schemes of characters
* Gesture's language, scenes - dialogues
Passion and Expression
* Love scenes' technique
* Epoch's style and label
* Principles of harmonious expressive sculptural compositions
* Degree of passion, gradation, degradation
* Emblematic scenes - seductions, suffering, death, lament, stress
* Vaudeville and dance scenes, technique of changes
* Body, emotional and acting score of love scenes
The graduated students may take part in casting for production in Theatre of Romanticism's style based on
William Shakespeare's tragedy "Romeo and Juliet".

о

     7. Clown Acting (up) ;   (outset)

Curriculum: Subject: Scenario creating, Clown's trio's technique, Carpet clown's genres
Horarium:
15 lessons (duration 2 hours each)
Space:
Minimum 2 sq. m per participant; height - minimum 3 m

Scenario Creating
* Creating the trick in circus
* Principles of entr?e's structures
* Creating of circus parody
* Relations between circus tricks, technique of preliminary acting
* Attractions and improvisations
* Techniques of contact with spectators
Clown Trio's Technique
* Clown actions principles of Giuseppe and Joseph Grimaldi
* Principles of the duo Joseph Grimaldi and Pietro Bologna
* White clown's technique
* Red-haired clown's technique
* Red clown's technique
* Clown duo and clown trio's technique
Carpet Clown's Genres
* Acrobatic clown, antipode and trapeze
* Musical ex-centricity
* Comical juggling and crystal-balance
* Clown's animal training and illusions; animal and subject as standing factors
* Clown-mime, water pantomimes
* Artistic entirety of carpet clown's performance
The graduated students may take part in casting for production in Clown acting style based on
Nikolai Gogol's comedy "Inspector".

о

     8. Silent Movies Grotesque (up) ;   (outset)

Curriculum: Subject: French technique, Mack Sennet's system, and Chaplin's style
Horarium:
15 lessons (duration 2 hours each)
Space:
Minimum 3 sq. m per participant; height - minimum 3 m

French Silent Technique
* Early comedy principles
* The principles of George Meliece
* French fools - Marcelle le Pen, Andres Did, cabaret stars
* Max Linder's early technique
* The acrobatics and mime tricks of Max Linder
* Basic ideas of Rene Clair
The Mack Sennet's System
* The principles of the body-accessories
* The principle of the battle between humans and things
* Roles - policemen, swimming beauties, crazy bombers
* Races and runs like a comedy strategy
* The system of the silent gag - trick, gag, slapstick, nonsense
* Bombs, pancakes and comic battles with total destruction
The Chaplin's Style and Mime Technique
* Principles of Chaplin's body movement, mime technique
* Techniques of falling, jumping and fighting
* The characters in Chaplin's movies
* Typical situations in the early Chaplin's movies
* Another techniques - Buster Keaton, Harold Lloyd, Harry Langdon
* Laurel & Hardy, Marx Brothers - the silent ensemble
The graduated students may take part in casting for production in Silent movies grotesque's style based on
Bertolt Brecht's "Mahagonny".

о

     9. Improvisation (up) ;   (outset)

Curriculum: Subject: French technique, Mack Sennet's system, and Chaplin's style
Horarium:
15 lessons (duration 2 hours each)
Space:
Minimum 3 sq. m per participant; height - minimum 3 m

Solo Techniques
* The concentration techniques
* The beginning
* Construction of the situation
* Accident techniques
* Blitz-improvisation techniques
* Improvisations with topic
Group Improvisation
* Technique of the contact
* Theme and variation
* Playing together
* Conflict and contrast oppositions
* Image improvisation
* "Concerto grosso" principles
Contact Techniques with Audience
* Help principles
* Game principles
* Happening techniques
* Street techniques
* The audience starring
* Rhythm and dance strategies
The graduated students may take part in casting for production in Improvisation technique's style based on
Tchehov's short comedies.

о

     10. Mask Technique (up) ;   (outset)

Curriculum: Subject: Classical mask technique, contra-mask, ritual masks
Horarium:
15 lessons (duration 2 hours each)
Space:
Minimum 3 sq. m per participant; height - minimum 3 m

Classical Mask Technique
* Body exercise with the mask
* Techniques of the gestures and the situations
* The mask in the hand
* Mask compositions and group techniques
* Social types, categories, mask duets with opposition
* The Zero mask
Contra Mask and Different Mask Places
* Technique of the contra-mask
* Mask on the back
* Mask on the arm, elbow, hand
* Mask on the hip, knee, foot
* Mask and envelope
* Double, triple and multiple mask on one body
Ritual Masks
* Geo-morphal masks
* Totem masks
* Zoo-morphal masks
* Shaman's masks
* Anthropomorphic masks
* Masks of Death
The graduated students may take part in casting for production in Mask technique's style based on
Samuel Beckett's "Waiting for Godo".

о

     11. Pantomime (up) ;   (outset)

Curriculum: Subject: Scenario creating, Mono-pantomime's technique, Group's pantomime
Horarium:
15 lessons (duration 2 hours each)
Space:
Minimum 2 sq. m per participant; height - minimum 3 m

Scenario Creating
* Classic models
* Scenario creating technique of Jean-Louis Barrault and Etienne Decroux
* Marcel Marceau's scenario creating
* Modern pantomime's scenario creating, synthesis of the styles
* Principle of five sentences, exercises
* Kinds and genres of pantomime, pictorial decisions
Monopantomime's Techniqoe
* Acting with imaginary subjects
* Movements - objective and subjective
* Techniques push and pull, immovable point, impulse and wave
* Body rhythm
* Technique of imitation
* Technique of abstract and pure mimic
Group Pantomime
* Synchronous start on level of mono-mime's technique
* Handing the movement
* Decorativeness from human bodies; surroundings; image
* Body made of many bodies; machines
* Abstract pantomime; graceful drama; choreodrama
* Mime-drama's technique
The graduated students may take part in casting for production in Pantomime technique's style based on
Jean-Baptist Moliere's tragedy "The miser".

о

     12. Body Expression (up) ;   (outset)

Curriculum: Subject: Delsarte's system, Decroux-Barrault-Marceau style, and contemporary strategies
Horarium:
15 lessons (duration 2 hours each)
Space:
Minimum 3 sq. m per participant; height - minimum 3 m

Delsarte's System
* Exercise in the cube
* Techniques of the sculpture, symbols in the gesture
* Body oppositions - open - normal - closed
* Movements in the dynamic sphere
* Sculpture compositions and the group expression
* Style, selection, genre
Decroux-Barrault-Marceau Style
* The mobile sculpture
* Scenes without words
* Envelope
* The objective mime
* The subjective mime
* Barrault's stage ideas and the monomime of Marceau
Contemporary Strategies
* Amputation
* The modern bio-mechanics and the impulse theory
* The minimization of the gestures
* Situations and montage of attractive scenes
* Do what you're never done
* Marionette system of ropes
The graduated students may take part in casting for production in Body expression's style based on
Maurice Meterlink's "Blue Bird".

о

     13. Vocal Technique (up) ;   (outset)

Curriculum: Subject: Classical vocal technique, total vocal techniques, group principles
Horarium:
15 lessons (duration 2 hours each)
Space:
Minimum 3 sq. m per participant; height - minimum 3 m

Classical Vocal Technique
* Vocal exercise
* Techniques of the gestures and the sound
* Vocal expression - imitations
* Voice characteristics
* Animal studios
* The strategies of monologue
Total Vocal Technique
* Technique of the head resonators
* Back resonators
* Front resonators
* Turning effects
* Circles of sounds
* Shaman's and sacred techniques
Group Principlec
* Unison techniques
* Cannon principles
* Fugue strategies
* Surround effects
* Sound pictures
* Mystery techniques
The graduated students may take part in casting for production in Vocal technique's style based on
August Strindberg's "Ghost's sonata".

о

     14. Fencing & Fighting Techniques (up) ;   (outset)

Curriculum: Subject: Classical fencing technique, fighting principles for stage, battle scenes
Horarium:
15 lessons (duration 2 hours each)
Space:
Minimum 3 sq. m per participant; height - minimum 3 m

Classical Fencing Technique
* Body exercise for fencing
* Guard positions
* Attacks with both hands
* Knight's techniques
* French and Spanish classical styles
* Systems of different cold weapons
Fighting Principles for Stage
* Technique of hand fighting
* Stick techniques
* Knife fighting
* Fighting with different accessories
* Falling and battle illusion
* Slow motion in the stage fighting
Battles Scenes
* Fencing against group
* Duo-fighting groups
* Leader scenes and battle behind the general action
* Composition principles of a total battle
* Conditional battle forms
* Comic battles
The graduated students may take part in casting for production in fighting technique's style based on
Pushkin's tragedy "Don Juan".

о

     15. Theatrical Martial Arts (up) ;   (outset)

Curriculum: Subject: Theatrical Kung fu, Theatrical Karate, Internal styles for stage
Horarium:
15 lessons (duration 2 hours each)
Space:
Minimum 3 sq. m per participant; height - minimum 3 m

Kung Fu
* Basic movement principles
* Animal boxing
* Human stiles
* Mythic personages boxing
* Theatrical acrobatics and stage battle
* Martial dances and flying weapons
Karate
* Basic movement principles
* "Kata" - the fight with image enemy
* Samurai techniques
* Weapons of Japan and martial techniques
* Group theatrical battle techniques
* Martial dances
Internal Styles
* Principles of body movement
* Double techniques for feeling the partner
* Qi kung
* Tai chi
* Aikido
* Battles and dances choreography
The graduated students may take part in casting for production in Theatrical martial arts style based on
William Shakespeare's tragedy "Macbeth".

о

     16. Acrobatics (up) ;   (outset)

Curriculum: Subject: Classical acrobatics, stunt techniques, group acrobatics games
Horarium:
15 lessons (duration 2 hours each)
Space:
Minimum 3 sq. m per participant; height - minimum 3 m

Classical Acrobatics
* Body exercise
* Basic techniques on the ground
* Jumping elements
* "Salto mortale" techniques
* Combinations
* Comic acrobatics
Stunt Techniques
* Technique of the ground fallings
* Fallings from chairs, jumps with the chairs
* Table fallings, jumps over the table
* Stair fallings
* Kicks, slaps, death, slow motions
* The body expression in the stunt effects
Group Acrobatics Games
* Group exercise
* Jumping techniques in "Shari-vari" style
* Pyramids of bodies
* Slow motion acrobatics in the group
* Acrobatics tandems
* Comic games
The graduated students may take part in casting for production in Acrobatics technique's style based on
French medieval farces.

о

     17. Puppet and Shadow's Theatre (up) ;   (outset)

  Subject: Puppet techniques, Shadow's theatre with hands and puppets, How to do puppets
Horarium:
15 lessons (duration 2 hours each)
Space:
Minimum 3 sq. m per participant; height - minimum 3 m

This workshop is based on educational plans, leaded academically

The graduated students may take part in casting for production in Puppet and Shadow's theatre based on
Walmiki's epic poem "Ramayana".

о

     18. Actors Acting (up) ;   (outset)

  Subject: Stanislavski system, Analysis of drama text, Stage practice
Horarium:
15 lessons (duration 2 hours each)
Space:
Minimum 3 sq. m per participant; height - minimum 3 m

This workshop is based on educational plans, leaded academically.

The graduated students may take part in casting for production in Acrobatics technique's style based on
Maxim Gorki's drama "At the bottom".

о

     19. Stage Directing (up) ;   (outset)

  Subject: Director's analysis of drama text, Stage plan and synopsis, Director's stage practice
Horarium:
15 lessons (duration 2 hours each)
Space:
Minimum 3 sq. m per participant; height - minimum 3 m

This workshop is based on educational plans, leaded academically.

The graduated students may take part in casting for stage production as directors of an act from
comedies of Carlo Gozzi and Carlo Goldoni.

о

Health Workshops + Universal Development of the Man

     20. Yoga and Meditation (up) ;   (outset)

    Subject: Hatha Yoga, Raja Yoga, Group and individual Meditation
    Horarium:
15 lessons (duration 2 hours each)
    Space:
Minimum 3 sq. m per participant; height - minimum 3 m
 
< More Info

   This workshop is based on traditional Yoga, according to international standards.
   We have scientific discoveries which explain Yoga in a new and exhaustive way

     21. Qi Gong and Tai Chi Chuan (up) ;   (outset)

  Subject: Energy of connection, Qi Gong tao, Tai Chi short tao
Horarium:
15 lessons (duration 2 hours each)
Space:
Minimum 3 sq. m per participant; height - minimum 3 m

This workshop is based on traditional Martial Arts, according to international standards.

     22. Classical Kung Fu and Vietnamese Voo (up) ;   (outset)

  Subject: Basic techniques, Two tao's from Kung Fu, Stick technique and basic quen of Voo
Horarium:
15 lessons (duration 2 hours each)
Space:
Minimum 3 sq. m per participant; height - minimum 3 m

This workshop is based on traditional Martial Arts, according to international standards.

     23. Classical Massages: Tibetan Jam Tso and Vietnamese Soa Bop (up) ;   (outset)

  Subject: Zones and meridians of human body, Pushing Jam Tso massage, Spoti Soa Bop massage
Horarium:
15 lessons (duration 2 hours each)
Space:
Minimum 3 sq. m per participant; height - minimum 3 m

This workshop is based on traditional massage techniques, according to international standards.

     24. Kinesitherapy (Movement's Therapy) (up) ;   (outset)

  Subject: Relaxing complex, Tonus techniques, Creation of individual movement's form
Horarium:
15 lessons (duration 2 hours each)
Space:
Minimum 3 sq. m per participant; height - minimum 3 m

This workshop is based on traditional Asian therapeutic techniques, according to international standards.

o
     25. MASTER CLASSES WITH WORLD LEVEL PROFESSORS    /   (outset)
 


VASSIL
..INDZHEV..SPRING..LABORATORY..2009
& THEATREDREAMS

tel:   +359 887 102 673;   +359 886 742 402
e-mail:
  theatredreams@abv.bg

organize in Sofia, Bulgaria
WORLDWIDE MASTER WORKSHOPS

1 & 2
Jed Allen Harris

 

3
Jared J. Stein

 



Prof. Jed Allen Harris - Carnegie Mellon University, Pittsburgh, PA, USA:

Work-schedule


1

MASTER CLASS 1

The image on the stage

June 1-st to 10-th 2009

for actors, directors, mimes and dancers

Students 100 ; Professionals 180
 June 2009
 1 Monday
 2 Tuesday
 3 Wednesday
 4 Thursday
 5 Friday
 6 Saturday
 7 Sunday
 8 Monday
 9 Tuesday
10 Wednesday

1-4 PM
10 AM - 1 PM
1-4 PM
1-4 PM
1-4 PM
10 AM - 1 PM
10 AM - 1 PM
1-4 PM
1-4 PM
10 AM - 1 PM
 

"Slavyanska Besseda" stage; 127 Rakovsky str.


2

MASTER CLASS 2

Play Mamet:
monologues and
dialogues technique of
DAVID MAMET

June 10-th to 17-th 2009

for graduated students, professional actors and directors

Students
80 ; Professionals 150
June  2009
10 Wednesday
11 Thursday
12 Friday
13 Saturday
14 Sunday
15 Monday
16 Tuesday
17 Wednesday

2-5 PM
1-4 PM
10 AM - 1 PM
10 AM - 1 PM
10 AM - 1 PM
1-4 PM
10 AM - 1 PM
10 AM - 1 PM
 



Prof. Jared J. Stein - Sothwestern University, Georgetown, TX, USA:

Work-schedule


3

MASTER CLASS 3

Play Beckett without words: The non-verbal dramas and episodes of SAMUEL BECKETT

June 17-th to 26-th 2009

for mimes, actors, dancers and directors

Students 100 ; Professionals 180
June  2009
17 Wednesday
18 Thursday
19 Friday
20 Saturday
21 Sunday
22 Monday
23 Tuesday
24 Wednesday
25 Thursday
26 Friday

2-5 PM
1-4 PM
10 AM - 1 PM
10 AM - 1 PM
10 AM - 1 PM
1-4 PM
10 AM - 1 PM
1-4 PM
10 AM - 1 PM
10 AM - 1 PM

 

"Slavyanska Besseda" stage; 127 Rakovsky str.

о

о

     26. MASTER CLASSES, Smolian sity   /   (outset)
         
 Rodopi drama theatre "Nikolay Haytov" - 08.07-10.08.2009

 

 

Време:


Място:

Такса:


Настаняване:


Сертификат:

Документи:


Краен Ссрок:

Информация:
Език:

  чуждестранни участници - 08.07-11.08.2008
български участници - 10.07-10.08.2008

гр. Смолян, Родопски драматичен театър "Николай Хайтов"

чуждестранни участници - 3325 US $ - all inclusive (no food and transfer to/from BG)
български участници - 775 US $ (без транспорт и храна)

чуждестранни участници - частни квартири или хотел
български участници - Алибеев конак, двойни стаи

Fourth World, USA - University credit system;

CV на английски - 1 страница; 3 дигитални фотографии (портретна и в роли) - над 150 КВ
прием на документи и капаро 1/2 от сумата - до 15 юни

записване и довнасяне на остатък - до 5 юли (на отказване на кандидат 80% от капарото се възстановява)

www.rhodopi.org; Wikipedia - Rhodopi International
английски

A professional alternative training program, the Rhodopi International Theatre Laboratory consists of theatre practitioners, scholars, and students from around the world, who are willing to share their culture, knowledge, and experience. Based each summer in Smolyan, Bulgaria, Laboratory participants live and work in the center of the Rhodopi Mountains - the mythological birthplace of Orpheus and Eurydice and the original terrain of the cult of Dionysus, i.e., the origin of Western theatre, music, and performance. Assembling at an important geographical root of storytelling and their art form, theatre-makers internationalize their imaginations, broaden the scope of their creative vocabularies, and collectively discover how sets of diverse styles, conventions and philosophies may be merged into uniquely cohesive theatrical events.
АРТДИРЕКТОР
Prof. Jared J. Stein, Southwestern University, Texas, USA
ОСНОВНИ ПЕДАГОЗИ
доц. д-р Александър Илиев, НАТФИЗ, България - антична хоревтика, ритуални маски
Prof. Jed Harris, Carnegie Mellon University, Pennsylvania, USA - актьорство, режисура
Prof. D-r Sergio Costola, Southwestern University, Texas, USA - драматургия, митология
Estela Morel, Studieframjandet Academy, Malmo, Sweden - танго аржентино, движенчески стратегии
Prof. Rick Roemer, Southwestern University, Texas, USA - актьорство, режисура
Petar Karapetkov, режисьор, Washington DC, USA

ЗАПИСВАНИЯ: 0887 102 673; theatredreams@abv.bg  - доц. д-р Александър Илиев

о

     27. AMERICAN SEMESTER IN BULGARIA    /   (outset)
           Military Club, Ruse, April 05-11.2010;    NATFA "Kr. Sarafov", Sofia, April 12-18.2010

  A Master class: "Dramaturgy and technique of the carnival theatre and Commedia dell'Arte"
Translator - Tanya Carbova, actress
Horrarium: 30 hours

  Prof. Sergio Costola, PhD,
..Southwestern.University,
  Georgetown,
..Texas, USA

  Production:
  Editing of a digital collection from the best scenarios,
  written by participants of the master class;
  a stage and street show with the techniques of Commedia dell'Arte

  University Certificates

 
Participant's places are limited.

Registrations and information: Ruse: Ognyan Jekov +359 878 812 015; Iglika Peeva +359 887 679 768;;  Sofia: Prof. Alexander Iliev, PhD +359 887 102 673.

     Outset